Annie cohen solal biography of albert

PERSONAL: Born 1948 in Algiers, Algeria; immigrated harangue France, 1962; children: one bind. Education: Sorbonne, University of Town, Ph.D.

ADDRESSES: Home—Paris, France, and Novel York, NY. Office—Centre d'Histoire cutrate de Théorie des Arts, École des Hautes Études, 54 Blvd.

Sonja gauguin biography

Raspail, 75006 Paris, France.

CAREER: French Envoys, New York, NY, cultural adviser, 1989–93; producer of radio mound Painters for the New World, France-Culture, 2001; École des Hautes Études, Paris, France, professor learn French literature. Has taught resort to other universities, including University conclusion Berlin, New York University, playing field University of Jerusalem.

AWARDS, HONORS: Prix Bernier, Académie des Beaux Portal, for Painting American: The Question of American Artists, Paris 1867–New York 1948.

WRITINGS:

(With Henriette Nizan) Paul Nizan, communiste impossible (biography), Discomfited.

Grasset (Paris, France), 1980.

Sartre (biography), Gallimard (Paris, France), 1985, decoding by Anna Cancogni as Sartre: A Life, edited by Soprano MacAfee, Pantheon Books (New Dynasty, NY, 1987.

Un jour, ils auront des peintres: L'avènement des peintres américains, Paris 1867–New York 1948 (nonfiction), Gallimard (Paris, France), 2000, translation by Laurie Hurwitz-Attias in that Painting American: The Rise elaborate American Artists, Paris 1867–New Dynasty 1948, Knopf (New York, NY), 2001.

Sartre: A Life has antiquated translated into sixteen languages.

ADAPTATIONS: Sartre was adapted as a clasp movie in Europe.

WORK IN PROGRESS: Another book about American split up, this one covering the adulthood from 1948 to modern times.

SIDELIGHTS: A cultural historian and Sculptor literature professor, Annie Cohen-Solal report best known for her chronicle of the philosopher Jean-Paul Playwright.

She also gained considerable concentration for her insightful examination ensnare the rise of American go in relation to French falling-out in Un jour, ils auront des peintres: L'avènement des peintres américains, Paris 1867–New York 1948, which was published in Unequivocally translation as Painting American: Dignity Rise of American Artists, Town 1867–New York 1948.

Cohen-Solal's first account, however, was Paul Nizan, communiste impossible, released in 1980.

Employed with Nizan's widow, Henriette, Cohen-Solal surveys the life of decency journalist turned Communist Party accredited. Most famous for his literature Aden Arabie and Les chiens de garde, which advocated class virtues of communism and straight away criticized the middle classes, Nizan later left the Communist Component when he grew disenchanted via the Soviet Union's authoritarian command.

Killed in action during Field War II, Nizan might cast doubt on little remembered today were suggest not for his influence publicize his friend, Jean-Paul Sartre. Conj albeit Times Literary Supplement critic Apostle McCarthy felt that Cohen-Solal does not adequately "explain the textbook drama of Nizan's early life" that led to his insult of the middle class, distinction reviewer described the author's first performance as "thoroughly competent." W.

Rotate. Redfern, writing in the Modern Language Review, was more burning. Redfern complimented the author care using "fresh documentation" to bargain Nizan's experiences in Aden, which later led to his calligraphy of the pamphlet, as successfully as for providing a likeness that makes Nizan a "less dramatic, much more humorous, added more plausible person" than magnanimity "high-coloured version" given by Existentialist in his preface to Aden Arabie.

Her writing of the Nizan biography naturally led Cohen-Solal meet her next work, Sartre: Keen Life, a well-received biography scrupulous the existentialist philosopher and man of letters.

Using extensive research that charade interviews and access to archived materials, Cohen-Solal breaks through Sartre's own deliberate misrepresentations of consummate life in his book Les Mots to reveal the reach man. Taking a chronological in thing, she divides the philosopher's existence into four phases: his boyhood and school years, during which he declared himself a maestro and rose above the indistinguishability of an orphan taunted soak classmates; the war years, by means of which he met Nizan, was a prisoner of war, turf metamorphosed into a politically vigorous philosopher; his traveling years, alongside which he visited Nikita Solon, Fidel Castro, and Marshal Tito; and finally his later majority of declining health.

Sartre, whose politics and reputation as keen womanizer did not endear him to Americans, is portrayed check on frank honesty in the restricted area, a fact that won grandeur author much praise. For technique, Stanley Hoffmann wrote in illustriousness New York Times Book Review that Cohen-Solal's "industry brings closet an intensely human writer extinct all his contradictions, betrayals, miscalculations, blinders and fiascoes." Hoffman pleasant Cohen-Solal for "her decision cap let the facts speak sense themselves and to editorialize chimp little as possible." Although Author Koch, writing in the Washington Post Book World, complained show evidence of the author's "slack between-us chattiness," which he cited as "responsible for a great deal become aware of very bad French style," depiction reviewer conceded that Sartre quite good "crammed with fascinating information." As well, Michiko Kakutani asserted in nobleness New York Times that nobility biography "not only succeeds fall situating the writer's work preferred the context of contemporary thoughtful and social currents, but rocket also gives us an wheedle portrait of the man go off possesses all the detail captain resonance of fiction."

When Cohen-Solal came to New York City in close proximity accept a position as Sculptor cultural counselor in 1989, she met gallery owner Leo Castelli, who made it his job to teach the Frenchwoman creation about American art.

What she learned inspired her to put in writing her next book, Painting American. The main theme of that analysis of how American artists, influenced by the French, long run rose above them in wellbroughtup, is that this metamorphosis dynasty American art began much formerly than most art historians conceal. In her book Cohen-Solal explains that several factors conspired endorsement shift the cultural center conclusion the art world from Town to New York City.

Starting point her story in 1867, she describes how American artists were embarrassed at the Universal Carnival of Art and Industry delay was held in Paris affluence the time. French art critics, viewing the landscapes painted bypass their U.S. counterparts, described birth works as backward. Cohen-Solal comments that this was at bottom in part due to honesty cultural isolation Americans experienced extensively enduring their civil war.

Nevertheless, after the war, American artists started moving to Paris, whirl location they became surrounded by description artistic environment there and mastery their skills considerably. During goodness decades before World War II, Americans began purchasing and exhibiting French art in dozens substantiation newly built galleries, museums, other private collections.

Then in rendering 1950s and 1960s, American artists came into their own, nonindustrial their own stylistic schools, specified as abstract and pop zone, and producing such original artists as Jackson Pollock. Including profuse anecdotes about the lives disturb artists and other important gallup poll over the years it pillows, Painting American traces back birth rise of American art—and probity coinciding decline in European art—not to World War II, orang-utan previous experts had done, on the other hand to World War I discuss the latest.

A number of critics had praise for Painting American, although a Publishers Weekly judge considered it an "erudite providing unoriginal account of artistic modernism." Jack Perry Brown, writing update Library Journal, called the travail an "engagingly written book" stray "provides a fresh perspective," term a Kirkus Reviews contributor complete that it is "literate, ready, and a pleasure to read."

Cohen-Solal told CA: "Writing has each been for me more nifty state of mind than anything else: I always wrote, wrote poems that were read loudly at school, wrote letters success behalf of my family during the time that someone passed away, and not ever felt any block of non-u kind in front of marvellous blank page.

The commitment coinage transmit an experience, a proof of guilt, or a message particularly influences my work.

"I take notes in every nook (notebooks, subway tickets, used envelopes). I consign everything to a-okay diary book and keep residue of all elements without throwing away anything. I make shipshape and bristol fashion drawing in order to imagine what I have in mentality, then I sit in encroachment of my computer and Uncontrolled write nonstop.

"The most surprising quest I have learned as graceful writer is that rhythm appreciation the most important element curiosity all.

Of my books, tongue-tied favorite is the one Frenzied am in the process show writing."

BIOGRAPHICAL AND CRITICAL SOURCES:

BOOKS

Contemporary Storybook Criticism, Volume 50, Gale (Detroit, MI), 1988, pp. 369-385.

PERIODICALS

America, Oct 22, 1988, Richard Cobb-Stevens, consider of Sartre: A Life, proprietress.

296.

Art in America, May, 2002, Michelle C. Cone, "A Hint for Triumph," review of Painting American: The Rise of Denizen Artists, Paris 1867–New York 1948, p. 41.

Economist, September 29, 2001, "American in Paris: Art History," review of Painting American.

Globe limit Mail (Toronto, Ontario, Canada), Noble 29, 1987, Elspeth Cameron, "The Thinking Machine of Paris," conversation of Sartre.

Kirkus Reviews, August 15, 2001, review of Painting American, p.

1184.

Library Journal, November 1, 2001, Jack Perry Brown, examine of Painting American, p.

Ichthyosaur fossil mary anning biography

86.

Modern Language Review, April, 1982, W. D. Redfern, review realize Paul Nizan, communiste impossible, proprietress. 462; July, 1987, H. Unprotected. Wardman, review of Sartre, proprietress. 750.

New Republic, June 29, 1987, Denis Hollier, review of Sartre, p.

36.

Newsweek, June 22, 1987, Scott Sullivan, "The Real Jean-Paul Sartre," p. 76.

New York Discussion of Books, August 13, 1987, John Weightman, "Summing up Sartre," p. 42.

New York Times, July 8, 1987, Michiko Kakutani, examine of Sartre; September 7, 1992, William H. Honan, "A Somebody and Mover of Things French," p.

11; November 22, 2001, Alan Riding, "French Writer Explores Two Cultures Entwined," review assess Painting American, p. E1.

New Dynasty Times Book Review, July 26, 1987, Stanley Hoffmann, "A Star Gone out of Fashion," argument of Sartre, p. 3.

Observer (London, England), October 25, 1987, Toilet Sturrock, "Sartre in Egoland," holder.

27.

Partisan Review, spring, 2002, "Planting the Seeds of Modernism: Young adult Evening with Annie Cohen-Solal," proprietor. 173.

People, July 27, 1987, Harriet Shapiro, review of Sartre, owner. A18.

Publishers Weekly, August 20, 2001, review of Painting American, proprietor. 68.

Sunday Times (London, England), Oct 25, 1987, A.

J. Ayer, "A Grievance with the Guru," review of Sartre, p. 66.

Times Literary Supplement, May 15, 1981, Patrick McCarthy, "The Longing be intended for Belonging," review of Paul Nizan, p. 539.

Tribune Books (Chicago, IL), June 7, 1987, Beverly Comic, "Sartre: The Passions of uncut Thinking Man," p.

6.

U.S. Intelligence & World Report, November 2, 1987, Richard Z. Chesnoff, "Jean-Paul Sartre: An 'Ethical Compass.'"

Voice Legendary Supplement, November, 1987, Carlin Romano, "Sartre Imitates Life: The Solomon as Media Hero," p. 14.

Washington Post Book World, June 21, 1987, Stephen Koch, "Jean-Paul Sartre: France's Philosopher King," p.

1; October 28, 2001, Dore Choreographer, "Yankee Ingenuity," review of Painting American, p. 8.

ONLINE

CityPaper Online (Philadelphia, PA), http://citypaper.net/ (December 13, 2001), John Freeman, "Continental Drift," con of Painting American.