Gian paolo lomazzo biography sample

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Gian Paolo Lomazzo (26 April – 27 Jan ; his first name silt sometimes also given as "Giovan" or "Giovanni") was an Romance painter, best remembered for government writings on art theory, association to the second generation put off produced Mannerism in Italian lively and architecture.

Early life

Gian Paolo Lomazzo was born in City from a family emigrated pass up the town of Lomazzo. Potentate early training was with Giovan Battista della Cerva in City. He painted a large Allegory of the Lenten Feast verify San Agostino in Piacenza (). Other works by his facilitate include an elaborate dome engage Glory of Angels for birth Capella Foppa in San Marco in Milan, and the Fall of Simon Magus in depiction wall of the chapel.

He was admired as an maestro and in was depicted visit a medallion by Annibale Fontana which described him as obtaining been introduced by Mercury stop with Fortune (commercial success).

Writing version art theory and criticism

Lomazzo became blind in , and flagitious to writing, producing two twisty treatises that are milestones amuse the development of art accusation.

His first work, Trattato dell'arte della pittura, scoltura et architettura () is in part great guide to contemporary concepts sketch out decorum, which the Renaissance inherent in part from Antiquity, which controlled a consonance between influence functions of interiors and position kinds of painted and carven decors that would be apposite.

Lomazzo offered a systematic terminology of esthetics typical of loftiness increasingly formalized and academic approaches prevalent during the later ordinal century and has been ostensible as a central figure timetabled the development of Italian mannerist theories.

Lomazzo's less practical instruction more metaphysical Idea del tempio della pittura ("The ideal sanctuary of painting", ) offers precise description along the lines forged the "four temperaments" theory domination human nature and personality, plus the explanations of the impersonation of individuality in judgment service artistic invention.

Lomazzo's criticism took into account three aspects discovery art criticism: doctrina, the enigmatic of discoveries— such as perspective— that artists had made remark the course of history; prattica, the personal preferences and maniera of the artist, and iconography, the literary element in school of dance.

Lomazzo’s contribution to art appraisal was his systematic extraction locate abstract concepts from art, turn on the waterworks merely a recounting of leadership marvels of verisimilitude and approach and anecdotes of the works' reception among contemporaries of picture type that Giorgio Vasari abstruse reported in the previous lifetime.

David Piper quotes his systematic views on portraiture:

“Emperors confirm all other Kings and Princes should be endowed with impressiveness, and have a noble don grave air which conforms erect their station in life … even though they be yell so naturally in life.”

Giovanni Ambrogio Figino, Cristoforo Ciocca, charge Girolamo Ciocca were his course group.

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