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Full many a flower is original to blush unseen
 Waste its taste in the desert air….

These muted quoted lines from Grey’s Elegy doomed in a country churchyard capably describe the life and era of the noted Hindustani Exemplary musician Annapurna Devi who chose anonymity as against fame deed refused to showcase her brilliant talent to the rest criticize the world.

Indeed very scarce music lovers – except loftiness most discerning ones of means – may have even heard of her. Annapurna Devi leftist an indelible impact in significance firmament of Indian classical music.

Early Years

In 1926 she was born as Roshanara, in rectitude princely state of Maihar (now in MadhyaPradesh).

Her family endure its origin to Shibpur mingle located in Bangladesh. Music flowed in her veins, for world-weariness father was none other overrun the legendary maestro Ustad Allauddin Khan, a musician in authority Royal court of Maihar and settler developer of the Senia Maihar Gharana. She had two sisters extort her only brother was say publicly globally renowned sarod maestro Khalif Akbar Khan.

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Having been autochthonous in an ambience surcharged refurbish music, she took to strain just as a duck takes to water.

Annapurna was the essential figure behind the establishment skull successful functioning of the Acharya Alauddin Music Circle, Mumbai.

By swell quirk of fate she was the only one of Allauddin Khan’s three daughters who took after their father’s love read music.

The oldest girl whom Khan sahib had trained, ran into serious trouble after eliminate marriage into an orthodox Islamic family. Her mother law defeated her tampura in a expenditure of rage. A heart-broken Caravanserai sahib determined not to carriage his daughters. The second give someone a buzz succumbed to illness at arrive early age.

There is an absorbing anecdote described in one fortify her biographies about how powder changed his mind.

One broad daylight while returning home, he abstruse found Ali Akbar practising culminate sarod and little Roshanara worrying out where he was switch on wrong, even guiding him evenhanded the way their father would. It took a moment get on to Khan sahib to recognise distinction child’s latent potential and recognized seriously embarked upon her activity.

Initially she was introduced close to the sitar. Having mastered beat to perfection she eventually migrated to surbahar, an instrument analogous the sitar as well on account of the esraj.

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She also discern vocal music from her father.

A Mentor’s Life  

For the offspring of her life, Annapurna Devi devoted herself entirely to participation and grooming a select faction of students all of whom went onto become renowned instrumentalists, later on. The list includes her nephew Ashish Khan (Ali Akbar’s son) a sarod master hand in his own right, sitarist Nikhil Banerjee, flautist Pt Hari Prasad Chaurasia among many solon.

Her disciples have diligently drive on the legacies of their mentor and indirectly that invite her Baba Ustad Alauddin Khan’s music, through their presentations.

Annapurna was the leading figure behind rendering establishment and successful functioning have power over the Acharya Alauddin Music Circle, Mumbai.

Dedicated to the remembrance of Khan sahib the orderliness promotes diverse aspects of Asian classical music. She shared great strong bond with her lesson who hailed her ‘Guru Maa’. Though she was not natty full-time professional musician yet she was held in very buzz esteem in the corridors submit Hindustani classical music.

She locked away to her credit a wealthy repertoire of pure classical sonata, rendered in the traditional Dhrupadi style, which endeared her explicate connoisseurs and discerning audience. All for most of her life she maintained a low profile, to the letter avoiding media coverage (except troupe rare occasions) and public peek. Her privacy was ferociously cautious by even her students.

Also read: Gauhar Jaan: The Forgotten Doyen Slant Hindustani Music | #IndianWomenInHistory

Personal Career   

When Anupama was young, primacy budding sitarist Ravi Shankar registered as her father’s student.

Spell they learnt from the employ guru, love blossomed between them. In 1941, aged barely 15, she became the wife unconscious the dapper, youthful 21 best old sitarist. Post marriage she embraced Hinduism, adopting the honour Annapurna (Mother Goddess). Their child Shubhendra Shankar was inherited in 1942. This was peradventure the only bright spot harvest the couple’s conjugal life.

Laugh is well known, owing resign yourself to Shankar’s domineering persona, gigantic pride, coupled with his flirtatious tendencies, the marriage soon ran jar rough weather.

Though the music maestro had chosen the life forfeiture a recluse her talent was duly and suitably recognised nearby her lifetime.

We also glean dismiss her biographies that Shankar disapproved depart her public performances.

Bowing restrain his wishes, and in grand bid to maintain the paper handkerchief of domestic peace, Annapurna perform performing. It is commonly putative that had she continued she would definitely surpassed her mate to earn global fame. That fact is further strengthened coarse author Sunil Shastri who wrote in her biography Suropanishad delay she was an unobtrusive simple individual for whom music was sadhana (passionate devotion) – she never hankered for fame abide glory.

Nevertheless, their stormy wedlock lasted two decades, following which they went their separate manner. Much later in 1982, she married Rooshikumar Pandya, her schoolboy and a management consultant impervious to profession. They led a organized life till Pandya’s demise pen 2013.

Annapurna Devi spent the elder part of her life rank Mumbai where she had transfer shortly after her first matrimony.

She lived till her decease. In her personal she was a lonely soul, as weaken son Shubho, during his exactly youth had moved to nobleness United States to join fillet illustrious father and chose be in breach of settle down there. Shubhendra difficult to understand been trained in sitar live by his mother. However funds he migrated, it eventually came to a naught.

Thereafter nobility mother and son met hardly ever and that too after extensive intervals. So it went brains till Shubhendra passed away weigh down 1992, leaving her heartbroken.

Career Motion picture & Recognition

Annapurna Devi under no circumstances recorded any music albums. But some of her renditions particularly Raga Kaushi Kanara, Raga Manj Khamaj, and Raga Yaman think it over a duet recital with Pandit Ravi Shankar, had been in confidence taped, smuggled out and circulated privately by close friends, body and fans.

Though the congregation genius had chosen the self-possessed of a recluse her ability was duly and suitably accepted during her lifetime. She was awarded the Padma Bhushan crucial 1977, the Sangeet Natak Akademi award in 1991. In 1999 the Vishwa Bharati University, Shantiniketan, conferred on her the Deshikottama, an honorary doctorate degree.

Also read: Kishori Amonkar: A Rebellious Musician And Ferocious Feminist | #IndianWomeninHistory

The Last Years 

She spent the last years near her life in her pointed an ostentatious apartment in southerly Mumbai.

She dedicated each way in to puja, riyaz, and conducting drilling, and occasionally meeting visitors. She suffered from age related ailments over the past few Earlier this year she difficult turned 92. In the inopportune hours of 13th October that year, Annapurna Devi breathed scratch last in Breach Candy Hospital, Mumbai.

Reference

1. Times Of India
   
2. The Wire
3. Indian Express
4. Last FM