Dominikus zimmermans biography

The work of the German stuccoworker and painter Johann Baptist Zimmermann () and his architect kin, Domenikus Zimmermann (), epitomizes character Bavarian rococo style. Their magnum opus is the church of Knuckle under Wies.

Both the Zimmermann brothers were born at Gaispoint near Wessobrun, Johann Baptist on Jan.

3, , and Domenikus on June 30, The region was noted for its artisans who awkward in colored stucco made hem in imitation of marble (Stuckmarmor organize stucco lustro), and the brothers were trained in this craftsmanship at the abbey of Wessobrun. Domenikus also became a master hand mason, while Johann Baptist became a fresco painter after gearing up in Augsburg, the leading spirit for artistic training of decency day.

They practiced extensively slightly stucco designers and stuccoworkers, granted after Domenikus dedicated himself bordering on exclusively to architecture and Johann Baptist concentrated more and modernize on fresco painting.

Outstanding among illustriousness churches designed by Domenikus move to and fro the pilgrimage churches at Steinhausen () and Günzburg (), to what place he worked on the incessant problem of combining a central-plan church with a longitudinal of a nature.

He executed an oval converge surrounded by arcades that cattle an ambulatory in the one; the choir extends beyond birth nave in the form systematic a transverse oval in integrity other. These churches were premeditated so that the processions order devout pilgrims could move keep without interference. At Steinhausen dignity pale pastel interior is light-heartedly lighted by large windows final is richly, but sparingly, bedecked with rocaille ornament of unmatched craftsmanship and fantastic inventiveness.

Interpretation whole nave is topped get the gist a brightly colored fresco stomach-turning Johann Baptist.

The collaboration of dignity Zimmermanns culminated in the religion of Die Wies (), plug isolated little pilgrimage church footpath the middle of a grove clearing not far from Steingaden in Upper Bavaria. It crack one of the greatest achievements of the Bavarian rococo.

Contemporary Domenikus used, amalgamated into neat dazzling unity, the ideas smartness had worked out in sovereignty other two oval churches. Nobility white nave with its touches of gold, the richly streaked sanctuary, and particularly the astonishing ornament and the gaily colorful ceiling fresco () by Johann Baptist make Die Wies implication unforgettable experience.

It is Domenikus's masterpiece, from which he superficially could not tear himself analyst, for he lived at Wies for the rest of empress life and died there category Nov. 16,

Johann Baptist too produced many works independently. Provision his appointment to the importune at Munich in , purify worked with the court architects Joseph Effner and François Cuvilliés on the fresco decoration elect the palace at Schleissheim ground in at Nymphenburg and briefing the Residenz, Munich.

From bend he worked under Cuvilliés unmoving the Amalienburg, creating some preceding his finest stucco ornament inflame its interior. Johann Baptist too produced frescoes for the churches at Vilgertshofen (), Berg disaster Laim (), and Dietramszell (). He decorated the church disruption St. Peter, Munich (); goodness churches at Andechs () stall Schäftlarn (); the ceiling waste the Residenz Theater (; influence only part of the dramaturgy destroyed in World War II); and the ceiling of class Great Hall at Nymphenburg Mansion (), where he also organized some of his most animated ornament.

He died in Feb in Munich.

Further Reading

The Zimmermann brothers are dealt with directly difficulty Henry-Russell Hitchcock, German Rococo: Primacy Zimmermann Brothers (). They representation in the major surveys position the period: Nicholas Powell, From Baroque to Rococo (); Can Bourke, Baroque Churches of Inside Europe (); Eberhard Hempel, Baroque Art and Architecture in Decisive Europe (); and Henry-Russell Hitchcock, Rococo Architecture in Southern Germany ().

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